[by Jerry Ward, Jr.] Toni Morrison’s Beloved deftly exposes the psychology of enslavement in North America, but it is Dessa Rose by Sherley Anne Williams that succeeds best in exposing the narratological features of a female slave’s “story,” namely the verbal strategies she uses to impede the extent to which her story (herstory versus history) can be stolen. Caryl Phillips, however, ought to be valued […]